Screening and Conversation
Maison Tropicale, A project by Ângela Ferreira

Lubumbashi Biennale, Democratic Republic of the Congo

Jean Prouvé’s Tropical House as photographed by Bernard Renoux in Brazzaville in 1996 Photo © Bernard Renoux

Screening and Conversation Maison Tropicale, A project by Ângela Ferreira, 2013

Ângela Ferreira's project Maison Tropicale, conceived for the 52nd Venice Biennale 2007 and curated by Jürgen Bock, reflects on colonial history and its contemporary, post- and neo-colonial resonances. Amidst the territorial reorganisation undertaken by the colonial powers in Africa after World War li and following a public tender process, the French Overseas Ministry, through collaboration with the designer Jean Prouvé, saw the possibility to further develop modernist ideas of conceiving a series of aesthetically sophisticated homes, that could be mass-produced and that would give people greater access to well-designed, high quality architecture based on prefabricated aluminium modules.

Prouvés ideas never took hold in Europe, but the possibility to install a large number of his houses in the African colonies led to the development of his Tropical House. Of the thousands of units originally envisaged, only three prototypes ultimately left Prouvés workshop. ln 1949, the first Tropical House was transported by plane to Niger and installed in the capital, Niamey. Two other houses were transported to the Congo and installed in Brazzaville in 195 1. With the rediscovery of Prouvés work in the 1990s, the houses also incited new interest and became part of a process of fetishisation of Prouvés productions by the design world. The three Tropical Houses were dismantled and transported back to France where they were restored and subsequently presented there and in the United States, in a new context.

This is what we know about Prouvés Tropical House, and it is at this point that the story of Ângela Ferreiras Maison Tropicale begins. The installation at the Portuguese Pavilion in Venice presented us with the displacement of Maisons Tropicales, not located in France, the United States, Niger or the Congo, transforming them into containers of history, in transit between the worlds of the colonisers and the colonised, the de-colonised and post-modern worlds with their realities of post- and / or neo-colonialism. Ângela Ferreira recreated the places where Prouvés houses were originally installed, highlighting their absence and the traces left behind, evoking the structures themselves through the sculptural objects produced by the artists modular form of architecture resulting from the accumulation of objects in a claustrophobic space and remaining permanently adrift.

Rencontres Picha. Biennale de Lubumbashi 20 / 2 / 2013 has emerged as one of the most dynamic and experimental art events on the African continent, serving as a key connection point for urban culture and visual arts, with a focus on photography. Developed in 2008 by the Picha Art Centre, it provides a platform for local artists and cultural agents from the Democratic Republic of the Congo within the framework of opportunity for international exchange and diverse social networks. The third edition explores the theme of Enthusiasm and is curated by Elvira Dyangani Ose, Curator, lnternational Art, supported by Guaranty Trust Bank at Tate Modern.

Rencontres Picha. Biennale de Lubumbashi 2012 / 2013's partners are: Gouvernment provincial du Katanga; Ville de Lubumbashi; lnstitut Français; lnstitut Français Halle de l'Etoile; Wallonie Bruxelles lnternational; Art Collaboratory (Hivos and DOEN Foundation); ALBA ASBL; Goethe lnsitute; Office for Contemporary Art; Lettera 27; Associação Maumaus - Centro de Contaminação Visual; Mondriaan Fund; Roger Ballen Foundation; Organisation lnternationale de la Francophonie; Musée National de Lubumbashi; Fonds de Promotion Culturelle; lnstitut de théologie Saint François de Sales; and Trust Merchant Bank.

Organised by Associação Maumaus - Centro de Contaminação Visual and Picha ABSL.


Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal
Monday to Friday, 10h00 to 13h00,
14h30 to 19h00

Tel: + 351 21 352 11 55


Independent Study Programme
Call 2024
Until 03.09.2023


Manthia Diawara
Angela Davis: A World of Greater Freedom
Centro Cultural de Belém, Lisbon
30.09.2023, 19h00

Commissioned by Serpentine, MUBI and PCAI Polygreen Culture & Art Initiative, as part of Serpentine's Back to Earth project.



Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal

The discussion will be in English.
Entry is free and limited to the number
of seats available.

Encounters between art and philosophy

Calouste Gulbenkian Foundation
Sala 3, Zona de Congressos
07.–08.05.2024, 11h–13h,14h–17h

Programme 5
True or false

Salam Cinema (1995)
by Mohsen Makhmalbaf
with Esther Leslie and Jihan El Tahri

with Esther Leslie and Jihan El Tahri

Calouste Gulbenkian Foundation
Auditorium 2
09.05.2024, 18h30


Programme 4

Calouste Gulbenkian Foundation

Programme 2:
(de)framing the frame

Meeting the Man:
James Baldwin in Paris (1970)
by Terence Dixon

with Sarah Lewis-Cappellari
and Kerstin Stakemeier

Calouste Gulbenkian Foundation, Auditorium 2
23.11.2023, 18h30

Programme 1:
space, place and memory

with Billy Woodberry
and Ruth Wilson Gilmore

Calouste Gulbenkian Foundation, Auditorium 3
13.10.2023, 18h30

Manthia Diawara
Angela Davis: A World of Greater Freedom
Sharjah Biennial 15
07.02. – 11.06.2023

Manthia Diawara
A Letter from Yene
Batalha Centro de Cinema, Porto


Amanda Boetzkes
Realism Without Authority
01.04, 04.04.2022
10h–13h, 14h–17h

Fundação Calouste Gulbenkian

Registration is free but limited to the number of seats available. Please send an email with a short CV to by 24.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.

Lumiar Cité

Rua Tomás del Negro, 8A
1750-105 Lisboa, Portugal
Wednesday to Sunday, 15h00 to 19h00
or by appointment.
Tel: + 351 21 755 15 70

Loretta Fahrenholz
Circle Navel Nil
24.04. – 27.06.2021

24.06 | 18h00 Online conversation with Sabeth

Buchmann, Loretta Fahrenholz and Jürgen Bock


Dozie Kanu
20.01. – 14.04.2024

20.01 | 16h00 Opening of the exhibition

16.03 | 17h00 Talk between Dozie Kanu

and Simon Thompson


Sid Iandovka & Anya Tsyrlina with Leslie Thornton & Thomas Zummer

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

Lumiar Cité
27.04. – 28.07.2024

Kunsthalle Friart Fribourg
18.05. – 28.07.2024

27.04. – 28.07.2024 | Lumiar Cité

18.05. – 28.07.2024 | Kunsthalle Friart Fribourg

A co-production by Lumiar Cité
and Artium Museum

14.10 | 17h00 Book launch with talk between

Alejandro Cesarco and
Miguel Wandschneider

| 18h00 Opening of the exhibition


Artium Museum, Vitoria-Gasteiz
24.03. – 24.09.2023


Lumiar Cité
14.10.2023 – 14.01.2024


The Educational Web
Kunstverein in Hamburg
01.04. – 06.08.2023

Closed 24, 25, 31 December and 1 January

Arne Kaiser and Jürgen Bock

In cooperation with Lumiar Cité:

Tiffany Chung
Thu Thiêm: an archaeological
project for future remembrance
08.06. - 08.09.2019

Johann Jacobs Museum

In co-production with Lumiar Cité:

Alejandro Cesarco
Other Recent Examples
24.03. - 24.09.2023

Artium Museum

The Educational Web
31.03. - 06.08.2023

Kunstverein in Hamburg

Maumaus/Lumiar Cité is funded by República Portuguesa – Cultura/Direção-Geral das Artes. With the support of Câmara Municipal de Lisboa and Junta de Freguesia do Lumiar.

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