The artist and the curator in conversation with Ana Balona de Oliveira and Manuela Ribeiro Sanches
Against the backdrop of Ângela Ferreira’s most recent solo exhibition, Indépendance Cha Cha, on view at the gallery Lumiar Cité in Lisbon between April and June 2014, as well as the installation and performance Entrer dans la mine, project curated by Jürgen Bock which Ângela Ferreira presented at the 3rd edition of the Lubumbashi Biennale between October and November 2013 and from which Indépendance Cha Cha was conceived, this conversation with the artist and the cura- tor will address the continuities and discontinuities not only between the two projects, but also between these and several previous collaborations, notably Maison Tropicale at the Portuguese Pavillion of the 52nd edition of the Venice Biennale in 2007 and Hard Rain Show, exhibition on view at the Berardo Museum in Lisbon in 2008 and at La Criée Centre D’Art Contemporain in Rennes between 2008 and 2009. What is the impact of the dynamics of this collaboration on the work of both artist and curator?
Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal
Monday to Friday, 10h00 to 13h00,
14h30 to 19h00
Tel: + 351 21 352 11 55
Realism Without Authority
Fundação Calouste Gulbenkian
Registration is free but limited to the number of seats available. Please send an email with a short CV to email@example.com by 24.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.
Registration is free but limited to the number of seats available. Please send an email with a short CV to firstname.lastname@example.org by 31.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.
Rua Tomás del Negro, 8A
1750-105 Lisboa, Portugal
Wednesday to Sunday, 15h00 to 19h00
or by appointment.
Tel: + 351 21 755 15 70 | 21 352 11 55
In cooperation with Lumiar Cité:
Thu Thiêm: an archaeological
project for future remembrance
08.06. - 08.09.2019
Johann Jacobs Museum
is funded by Ministério da Cultura/Direção-Geral das Artes. With the support of Câmara Municipal de Lisboa and Junta de Freguesia do Lumiar