PROBLEMATISING REALITY
Encounters between art, cinema and philosophy
Programme 3
Maria Augusta Ramos, Patrícia Mourão

Goethe-Institut, Auditorium
10.09.2018

Maria Augusta Ramos, Juízo, 2007. Film Still

Juízo (2007, 90 Min.) by Maria Augusta Ramos
Discussion: Maria Augusta Ramos, Patrícia Mourão

Artworks, especially those that comprise documentary material, can offer a particularly challenging appeal to our thoughts about reality. While their indexical link to the reality they address grants images and sounds a specific credibility, the position of the artist, her aesthetic, thematic and political choices and self-reflexive stance, may generate a critical assessment of the very constitution of reality. At such a point, art meets philosophy. In order to reflect on the relationship between the factual world and its subjective appropriation, questioning hegemonic claims to objectivity and problematising the inherent contradictions of society are inherently philosophical issues. Problematising reality – Encounters between art, cinema and philosophy is a series of projec- tions and discussions that takes place in various cultural spaces in the city of Lisbon, in a partnership between IFILNOVA (CineLab) / FCSH / UNL, Goethe-Institut and Maumaus / Lumiar Cité and in collaboration with Apordoc / Doc’s Kingdom. These encounters between artists and researchers of international renown focus on the very moments where art, cinema and philosophy enter into a productive dialogue.

In partnership with the seminar Doc’s Kingdom 2018 – Máquina do Mundo, the third programme takes place at the Goethe-Institut Auditorium and brings together researcher Patrícia Mourão and filmmaker Maria Augusta Ramos for a screening of her film Juízo (2007). The film follows a few cases from among the huge numbers of underage youths who have become trapped in the dead-end corridors of the Brazilian justice system. Young men and women from underprivileged backgrounds who face crime, court decisions and sentences handed down for theft, drug trafficking and murder. Due to legal constraints on revealing the identity of minors, the accused were substituted by adolescents from similar social backgrounds. All other judges, prosecutors, public defenders, prison guards and family members are real people filmed during the hearings at the Rio de Janeiro Juvenile Court and during visits to the prisons where the minors have been sent. Patrícia Mourão is a guest programmer at the Doc’s Kingdom 2018 – Máquina do Mundo seminar, which runs from 2–7 September in Arcos de Valdevez with Maria Augusta Ramos as one of the invited filmmakers.

Maria Augusta Ramos was born in 1964 in the aftermath of the military coup in Brazil. Since her first documentary, Ramos has sought to systematically interrogate Brazilian institutions, with a particular emphasis on the country’s judicial and penal systems through their courtrooms, police forces and prisons. Working within a tradition of observational and non-interventionist cinema, Ramos refrains from interviews or narration. In her exploration of issues relating to urban violence and crime, Ramos takes an ‘insider approach’ and pursues what she calls the ‘Theatre of Justice’, analysing the spatial similarities between courtrooms and stages as well as performative aspects of judges and prosecutors. Her films have been presented and awarded at international festivals such as Visions du Réel, Mar del Plata, Cinéma du Réel, IDFA, Viennale, Berlin, Rotterdam, Locarno and IndieLisboa.

Patrícia Mourão is a film programmer and Post-Doctoral Fellow at the department of Visual Arts at the University of São Paulo. She received her PhD in cinema at the same University with research funded by Columbia University in New York. She has programmed film retrospectives of directors such as Andrea Tonacci (Cinéma du Réel - Centre Pompidou, Paris), Structural Film (Caixa Cultural, Rio de Janeiro), Jonas Mekas (CCBB, São Paulo) and Harun Farocki (Brazilian Film Archive). She has edited publications on David Perlov, Pedro Costa, Straub-Huillet and Naomi Kawase and contributes regularly to the Brazilian online magazine Zum. She has lectured at art institutions such as MAM (São Paulo Museum of Modern Art), MASP (São Paulo Museum of Art) and IMS (Instituto Moreira Salles).




































































































































































































Maumaus

Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal
Monday to Friday, 10h00 to 13h00,
14h30 to 19h00

Tel: + 351 21 352 11 55
maumaus@maumaus.org

Current:

Independent Study Programme
Call 2024
Until 03.09.2023

Upcoming:

Manthia Diawara
Angela Davis: A World of Greater Freedom
Centro Cultural de Belém, Lisbon
30.09.2023, 19h00

Commissioned by Serpentine, MUBI and PCAI Polygreen Culture & Art Initiative, as part of Serpentine's Back to Earth project.

Upcoming:

Maumaus

Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal

The discussion will be in English.
Entry is free and limited to the number
of seats available.

PROBLEMATISING REALITY
Encounters between art and philosophy

Calouste Gulbenkian Foundation
Sala 3, Zona de Congressos
07.–08.05.2024, 11h–13h,14h–17h

Programme 5
True or false

Salam Cinema (1995)
by Mohsen Makhmalbaf
with Esther Leslie and Jihan El Tahri

with Esther Leslie and Jihan El Tahri

Calouste Gulbenkian Foundation
Auditorium 2
09.05.2024, 18h30

Upcoming:

Programme 4

Calouste Gulbenkian Foundation
16.02.2024

Programme 2:
(de)framing the frame

Meeting the Man:
James Baldwin in Paris (1970)
by Terence Dixon

with Sarah Lewis-Cappellari
and Kerstin Stakemeier

Calouste Gulbenkian Foundation, Auditorium 2
23.11.2023, 18h30

Programme 1:
space, place and memory

with Billy Woodberry
and Ruth Wilson Gilmore

Calouste Gulbenkian Foundation, Auditorium 3
13.10.2023, 18h30

Manthia Diawara
Angela Davis: A World of Greater Freedom
Sharjah Biennial 15
07.02. – 11.06.2023

Manthia Diawara
A Letter from Yene
Batalha Centro de Cinema, Porto
14.03.2023

Current:

Seminar
Amanda Boetzkes
Realism Without Authority
01.04, 04.04.2022
10h–13h, 14h–17h

Fundação Calouste Gulbenkian

Registration is free but limited to the number of seats available. Please send an email with a short CV to admin@maumaus.org by 24.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.


Lumiar Cité

Rua Tomás del Negro, 8A
1750-105 Lisboa, Portugal
Wednesday to Sunday, 15h00 to 19h00
or by appointment.
Tel: + 351 21 755 15 70
lumiar.cite@maumaus.org

Loretta Fahrenholz
Circle Navel Nil
24.04. – 27.06.2021

24.06 | 18h00 Online conversation with Sabeth

Buchmann, Loretta Fahrenholz and Jürgen Bock


Current:

Dozie Kanu
PREENCHENDO VAZIOS
20.01. – 14.04.2024

20.01 | 16h00 Opening of the exhibition

16.03 | 17h00 Talk between Dozie Kanu

and Simon Thompson


Current:

ONCE IN A HUNDRED YEARS
Sid Iandovka & Anya Tsyrlina with Leslie Thornton & Thomas Zummer

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

Lumiar Cité
27.04. – 28.07.2024

Kunsthalle Friart Fribourg
18.05. – 28.07.2024

27.04. – 28.07.2024 | Lumiar Cité

18.05. – 28.07.2024 | Kunsthalle Friart Fribourg

A co-production by Lumiar Cité
and Artium Museum

14.10 | 17h00 Book launch with talk between

Alejandro Cesarco and
Miguel Wandschneider

| 18h00 Opening of the exhibition

Current:

Artium Museum, Vitoria-Gasteiz
24.03. – 24.09.2023

Upcoming:

Lumiar Cité
14.10.2023 – 14.01.2024


Collaboration:

The Educational Web
Kunstverein in Hamburg
01.04. – 06.08.2023

Closed 24, 25, 31 December and 1 January

Arne Kaiser and Jürgen Bock


In cooperation with Lumiar Cité:

Tiffany Chung
Thu Thiêm: an archaeological
project for future remembrance
08.06. - 08.09.2019

Johann Jacobs Museum

In co-production with Lumiar Cité:

Alejandro Cesarco
Other Recent Examples
24.03. - 24.09.2023

Artium Museum

The Educational Web
31.03. - 06.08.2023

Kunstverein in Hamburg



Maumaus/Lumiar Cité is funded by República Portuguesa – Cultura/Direção-Geral das Artes. With the support of Câmara Municipal de Lisboa and Junta de Freguesia do Lumiar.

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