LUMIAR CITÉ

David Hammons

Ted Joans: Exquisite Corpse

16.03. - 26.05.2019

Detail of drawn contribution by David Hammons to Ted Joans, Long Distance Exquisite Corpse, drawings on computer paper, 1976-2005.

Detail of drawn contribution by David Hammons to Ted Joans, Long Distance Exquisite Corpse, drawings on computer paper, 1976-2005.

In his first solo exhibition in Portugal, David Hammons pays homage to the surrealist poet, painter and jazz musician Ted Joans. Inspired by 1920s French surrealists Ted Joans began the collective project Long Distance Exquisite Corpse in 1976. Folding a sheet of paper multiple times, participants would one by one create an image, leaving a line across the fold for the next author as starting point for their drawing to depart from. The resulting artworks often follow a humorous or violent logic. Tapping into surrealist notions of the unconscious, they contain a tension between the collaborative and the individual, intentionality and chance, drawing and object. As Joans travelled the world over the years, he asked artists and writers—including European surrealists, Nigerian and South African writers, American beat poets and jazz musicians, and Mexican painters and intellectuals—to add a drawing to his piece, ingeniously created on already folded dot matrix computer paper. As Joans recounted in an interview: “Long Distance Exquisite Corpse is a continuous idea of a collective or collaborative authorship, in which an ongoing composite image is producing its own meaning undetermined by any single participant.” The innovation in Joans’s exquisite corpse process was the distance between his participants, who may have known each other and were able to meet and watch each other add drawings, or may have been separated thousands of miles, connected only by Joans himself.

In 2001, David Hammons filmed Ted Joans unfolding the long artwork across the floor of the New York apartment of Robin D. G. Kelley and Diedra Harris-Kelley. Together with the artist Laura Corsiglia, they discuss each drawing and the creative and personal histories of the seemingly endless contributors. The camera follows the piece from fold to fold, emphasizing its physicality, the active process required to engage with it, the impossibility of viewing it in its entirety all at once. The artwork collapses into fragments but links its international participants, folding, unfolding, obscuring, revealing, connecting across great distances. In the end David Hammons adds his own drawing, continuing the long-distance transmission. As Laura Corsiglia has noted, Long Distance Exquisite Corpse is “a treasure map of friendship expanding through time, space, and disciplines.” Long Distance Exquisite Corpse (1976- 2005) is a collaboration of 132 authors, including Paul Bowles, Breyten Breytenbach, William S. Burroughs, Mário Cesariny, Barbara Chase-Riboud, Bruce Conner, Laura Corsiglia, Bill Dixon, Allen Ginsberg, David Hammons, Stanley William Hayter, Dick Higgins, Konrad Klapheck, Alison Knowles, Michel Leiris, Malangatana, Roberto Matta, Octavio Paz, Larry Rivers, James Rosenquist, Wole Soyinka, Dorothea Tanning and Cecil Taylor.

David Hammons’s film Ted Joans: Exquisite Corpse (2001-2018) was produced by Maumaus / Lumiar Cité and after a presentation at La Sirène de Yene in Dakar, in 2018, the film is presented at Lumiar Cité for the first time together with the original Long Distance Exquisite Corpse unfolded in its entirety, which has never been presented before.

David Hammons (USA, 1943) lives and works in New York. He studied at the Chouinard Art Institute (CalArts) and Otis College of Art and Design, both in Los Angeles. His work in sculpture, painting, video or installation, criticizes and subtly exposes stereotypes within the universe of art. Since the early 1970s his work has been part of major contemporary art collections, including: MoMA, Whitney Museum of American Art, Museum of Contemporary Art Chicago, and Tate Modern. His work was presented at numerous events, museums and biennials, including: documenta 9, Whitney Biennial 2006, 50th Venice Biennale, Museo Nacional Centro de Arte Reina Sofía, San Francisco Museum of Modern Art (SFMOMA), New Museum of Contemporary Art, MoMA, Tate Modern and Dakar Biennale 2004.




































































































































































































Maumaus

Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal
Monday to Friday, 10h00 to 13h00,
14h30 to 19h00

Tel: + 351 21 352 11 55
maumaus@maumaus.org

Current:

Independent Study Programme
Call 2024
Until 03.09.2023

Upcoming:

Manthia Diawara
Angela Davis: A World of Greater Freedom
Centro Cultural de Belém, Lisbon
30.09.2023, 19h00

Commissioned by Serpentine, MUBI and PCAI Polygreen Culture & Art Initiative, as part of Serpentine's Back to Earth project.

Upcoming:

Maumaus

Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal

The discussion will be in English.
Entry is free and limited to the number
of seats available.

PROBLEMATISING REALITY
Encounters between art and philosophy

Calouste Gulbenkian Foundation
Sala 3, Zona de Congressos
07.–08.05.2024, 11h–13h,14h–17h

Programme 5
True or false

Salam Cinema (1995)
by Mohsen Makhmalbaf
with Esther Leslie and Jihan El Tahri

with Esther Leslie and Jihan El Tahri

Calouste Gulbenkian Foundation
Auditorium 2
09.05.2024, 18h30

Upcoming:

Programme 4

Calouste Gulbenkian Foundation
16.02.2024

Programme 2:
(de)framing the frame

Meeting the Man:
James Baldwin in Paris (1970)
by Terence Dixon

with Sarah Lewis-Cappellari
and Kerstin Stakemeier

Calouste Gulbenkian Foundation, Auditorium 2
23.11.2023, 18h30

Programme 1:
space, place and memory

with Billy Woodberry
and Ruth Wilson Gilmore

Calouste Gulbenkian Foundation, Auditorium 3
13.10.2023, 18h30

Manthia Diawara
Angela Davis: A World of Greater Freedom
Sharjah Biennial 15
07.02. – 11.06.2023

Manthia Diawara
A Letter from Yene
Batalha Centro de Cinema, Porto
14.03.2023

Current:

Seminar
Amanda Boetzkes
Realism Without Authority
01.04, 04.04.2022
10h–13h, 14h–17h

Fundação Calouste Gulbenkian

Registration is free but limited to the number of seats available. Please send an email with a short CV to admin@maumaus.org by 24.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.


Lumiar Cité

Rua Tomás del Negro, 8A
1750-105 Lisboa, Portugal
Wednesday to Sunday, 15h00 to 19h00
or by appointment.
Tel: + 351 21 755 15 70
lumiar.cite@maumaus.org

Loretta Fahrenholz
Circle Navel Nil
24.04. – 27.06.2021

24.06 | 18h00 Online conversation with Sabeth

Buchmann, Loretta Fahrenholz and Jürgen Bock


Current:

Dozie Kanu
PREENCHENDO VAZIOS
20.01. – 14.04.2024

20.01 | 16h00 Opening of the exhibition

16.03 | 17h00 Talk between Dozie Kanu

and Simon Thompson


Current:

ONCE IN A HUNDRED YEARS
Sid Iandovka & Anya Tsyrlina with Leslie Thornton & Thomas Zummer

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

Lumiar Cité
27.04. – 28.07.2024

Kunsthalle Friart Fribourg
18.05. – 28.07.2024

27.04. – 28.07.2024 | Lumiar Cité

18.05. – 28.07.2024 | Kunsthalle Friart Fribourg

A co-production by Lumiar Cité
and Artium Museum

14.10 | 17h00 Book launch with talk between

Alejandro Cesarco and
Miguel Wandschneider

| 18h00 Opening of the exhibition

Current:

Artium Museum, Vitoria-Gasteiz
24.03. – 24.09.2023

Upcoming:

Lumiar Cité
14.10.2023 – 14.01.2024


Collaboration:

The Educational Web
Kunstverein in Hamburg
01.04. – 06.08.2023

Closed 24, 25, 31 December and 1 January

Arne Kaiser and Jürgen Bock


In cooperation with Lumiar Cité:

Tiffany Chung
Thu Thiêm: an archaeological
project for future remembrance
08.06. - 08.09.2019

Johann Jacobs Museum

In co-production with Lumiar Cité:

Alejandro Cesarco
Other Recent Examples
24.03. - 24.09.2023

Artium Museum

The Educational Web
31.03. - 06.08.2023

Kunstverein in Hamburg



Maumaus/Lumiar Cité is funded by República Portuguesa – Cultura/Direção-Geral das Artes. With the support of Câmara Municipal de Lisboa and Junta de Freguesia do Lumiar.

My Image
My Image
My Image
My Image