Gerry Bibby


15.12.2018 - 03.03.2019

Gerry Bibby, Inventory (cold), 2018 | Gerry Bibby, Inventory (warm), 2018.

Gerry Bibby, Inventory (cold), 2018
Gerry Bibby, Inventory (warm), 2018.

In September 2018, Gerry Bibby was the last artist to stay at the Maumaus Residency apartment on Campo dos Mártires da Pátria, it was his first visit to Lisbon. He is also the first to reside in its provisional location on Rua dos Anjos. With his interest in what has been coined ‘minor literatures’, for his first solo exhibition in Portugal, PUBLIC includes sculptures from an ongoing series, and new works responding to the space and context of his time here:

Recalling a probably over-used anecdote about a modernist architect and his client's disquiet with the work's subsequent implications on her private life, PUBLIC further agitates the interface that caused the client so much distress, the binary opposition of inside/outside, public/private. Some cinema has taken advantage of the psychic pressures the glass facade has inherited from such anecdotes.
Believe me, I could understand her, December into January & even further wasn’t only the coldest time of year, it was the darkest, and when night fell the lit interior played beacon for the unseen exterior, all the while redoubling itself in reflections.

A (gallery) shop front addresses the street with languages known from commerce, and echoes a perversion that these dynamics play out today, where, albeit from behind the glass interfaces of our devices, the PUBLIC is saturated with the personal: from shopping lists to the inventories of private behaviours, languages of commerce and desire intermingle.
Piled up, I could see my own discomforts in relief. I didn’t want to play into dramas fuelled by disclosure, but I was witness to and could empathise with uncertainty and change.

All the while the physicalities of architectures and objects stand by, ready to be enlisted by whomever is willing or has the capital with which to engage them. Inequities in scale and opportunity produce antagonisms and alliances that play out in PUBLIC.
I wasn’t quite sure where to begin. It seemed to me that crises were taking place at the very base levels of sustenance and space, spiralling outward, and so, in an attempt to get a grip, that’s where I began.
Without wanting to simply reiterate the symptomatic, from whichever position we begin to consider it, PUBLIC is an arena of contestation and contradiction.

Gerry Bibby lives and works in Berlin. Recent projects and solo exhibitions include: ‘Game on Tilt’, Midway Contemporary Art, Minneapolis and ‘In Case of Emergency’, O-Town House, Los Angeles (2018); ‘Auto Fictions’, Taylor Macklin, Zurich (2017); 'Conversation in a Yes/No Landscape. Insect Incest’ (with Henrik Olesen), Deborah Schamoni, Munich (2016); ‘Flexing Muscle’ (with the Bureau of Writing), 20th Biennale of Sydney (2016); ‘Yes No Future’, Point Center for Contemporary Art, Nicosia, Cyprus (2015); ‘KUB Arena’ (with Juliette Blightman), Kunsthaus Bregenz (2014); ‘Combination Boiler’, The Showroom, London (2014); Frieze Projects, Frieze London (2013); and La Biennale de Lyon (2013). His work has been exhibited in group exhibitions in institutions such as: Statens Museum for Kunst (Copenhagen), Institute of Modern Art (Brisbane), Kunsthalle Bern, Museum für Gegenwartskunst (Basel), Hamburger Bahnhof (Berlin), Arnolfini (Bristol), Serpentine Galleries (London), Bergen Kunsthall and Palais de Tokyo (Paris). He is the author of ‘The Drumhead’, published by Sternberg Press, Berlin in 2014 and a contributing editor to the Berlin based art magazine ‘Starship’.

Coproduction by Maumaus and Goethe-Institut Portugal, in partnership with the Maumaus Residency Programme.


Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal
Monday to Friday, 10h00 to 13h00,
14h30 to 19h00

Tel: + 351 21 352 11 55


Independent Study Programme
Call 2023
Until 04.09.2022


Manthia Diawara
AI: African Intelligence
Cinema Palace

Commissioned by Serpentine, MUBI and PCAI Polygreen Culture & Art Initiative, as part of Serpentine's Back to Earth project.

Manthia Diawara
Angela Davis: A World of Greater Freedom
Sharjah Biennial 15
07.02. – 11.06.2023

Manthia Diawara
A Letter from Yene
Batalha Centro de Cinema, Porto


Amanda Boetzkes
Realism Without Authority
01.04, 04.04.2022
10h–13h, 14h–17h

Fundação Calouste Gulbenkian

Registration is free but limited to the number of seats available. Please send an email with a short CV to by 24.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.

Lumiar Cité

Rua Tomás del Negro, 8A
1750-105 Lisboa, Portugal
Wednesday to Sunday, 15h00 to 19h00
or by appointment.
Tel: + 351 21 755 15 70

Loretta Fahrenholz
Circle Navel Nil
24.04. – 27.06.2021

24.06 | 18h00 Online conversation with Sabeth

Buchmann, Loretta Fahrenholz and Jürgen Bock


Anna Schachinger
08.10. – 11.12.2022

07.10 | 18h00 Circulating Salt, Ayami Awazuhara
08.10 | 16h00 Opening of the exhibition


Willem Oorebeek
17.12.2022 – 19.03.2023
extended until 26.03.2023


Cosima von Bonin
Boy at Work
15.04. – 23.07.2023

15.04 | 17h00 Opening of the exhibition

20.07 | 19h00 Talk by Diedrich Diederichsen


Alejandro Cesarco
Other Recent Examples
Artium Museum, Vitoria-Gasteiz
24.03. – 24.09.2023


The Educational Web
Kunstverein in Hamburg
01.04. – 06.08.2023

Closed 24, 25, 31 December and 1 January

Arne Kaiser and Jürgen Bock

In cooperation with Lumiar Cité:

Tiffany Chung
Thu Thiêm: an archaeological
project for future remembrance
08.06. - 08.09.2019

Johann Jacobs Museum

In co-production with Lumiar Cité:

Alejandro Cesarco
Other Recent Examples
24.03. - 24.09.2023

Artium Museum

The Educational Web
31.03. - 06.08.2023

Kunstverein in Hamburg

Maumaus/Lumiar Cité is funded by República Portuguesa – Cultura/Direção-Geral das Artes. With the support of Câmara Municipal de Lisboa and Junta de Freguesia do Lumiar

My Image
My Image
My Image
My Image