Past exhibition at Lumiar Cité:

you don’t need a weatherman to know
which way the wind blows

My Image

The project, which will be presented in a solo exhibition at Lumiar Cité (meaning illuminated or glowing city) will, prior to the exhibition period, consist of a process in which the artist builds a four-meter high home-made wind generator with skills acquired from manuals from the internet.
The wind generator will be mobile and moved around the area where the gallery is situated, generating electricity using the wind and storing it in batteries that will be regularly transported to the gallery and in turn used to power the lights of the gallery ceiling. This process of gathering electricity will continue throughout the exhibition period. When the generator is not being used it will be on display in the gallery.
The project is a site-specific process intervening in the public space of Alta de Lisboa, an urban renewal project initiated in the 80s by converting slums into a new "city" within the capitol, consisting of housing, shops, green spaces, amenities, office spaces and social housing.
The exhibition title, 'you don't need a weatherman to know which way the wind blows,' refers to Bob Dylan's Subterranean Homesick Blues, a slogan also used by the Weather Underground Organization (also called the Weathermen).

Lars-Andreas Tovey Kristiansen

Lars-Andreas Tovey Kristiansen has recently developed a series of projects that reveal an interest reminiscent of the Russian constructivists’ search for a utopian unity of the social, the political and the cultural. In shifting these questions to the present, Kristiansen reflects on the morphological, psychological and historical fractures caused by the developments of contemporary society.
Kristiansen is driven by a curiosity towards human drama, carefully observing the predicaments and inconsistencies of our being. The subject matters of his work emerge from the artist’s own reflections on his surroundings and meticulous research aiming to disclose and challenge one-sided interpretations of history.
Most of Kristiansen’s work is research-based, sewing together different elements, offering the viewer multiple gateways to the stories narrated. In other words, by resurrecting events from different times to negotiate them in a contemporary context, Kristiansen triggers a range of readings, simultaneously unmasking the inherent fragility of traditional "good versus bad" perspectives.
Kristiansen uses a multidisciplinary approach to the development of his projects, seeking solutions in different areas of knowledge production and engaging in whatever self- teaching processes become necessary for the work to succeed. However, faithful to an artistic discourse deriving from modernity, Lars-Andreas Tovey Kristiansen’s work goes beyond an explanatory function towards a utopian-like narrative, which tends to imagine solutions, even if only possible in the realm of (utopian) fiction.
Kristiansen develops artistic practice as an endless search, an act of resistance against 'the end of imagination'1. His commitment to a practice based on context-specific situations ensures his relevance as an artist in the very specific context of the Maumaus Lumiar Cité Gallery in Lisbon.

Vera Lúcia Carmo

Lars-Andreas Tovey Kristiansen (*1983, Halden, Norway) lives and works in Braunschweig, Germany and Malmö, Sweden. Currently participating in the International Artists in Residence Programme at Maumaus, Lisbon. In 2009 he was awarded a grant by OCA - Office for Contemporary Art Norway. His exhibitions include: The Art of Speculation, Kunstverein Wolfsburg, Wolfsburg, Germany (2010); Information Wants to Be Free, Platform One Gallery, London, UK (2009) and A Public Affair, Galleri 21, Malmö, Sweden (2008). He is one of the founders and directors of Landings, Vestfossen, Norway, an exhibition space programmed by artists.


Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal
Monday to Friday, 10h00 to 13h00,
14h30 to 19h00

Tel: + 351 21 352 11 55


Independent Study Programme
Call 2023
Until 04.09.2022


Manthia Diawara
AI: African Intelligence
Cinema Palace

Commissioned by Serpentine, MUBI and PCAI Polygreen Culture & Art Initiative, as part of Serpentine's Back to Earth project.


Manthia Diawara
AI: African Intelligence
Berlin International Film Festival
16.02. – 26.02.2023

Commissioned by Serpentine, MUBI and PCAI Polygreen Culture & Art Initiative, as part of Serpentine's Back to Earth project.


Amanda Boetzkes
Realism Without Authority
01.04, 04.04.2022
10h–13h, 14h–17h

Fundação Calouste Gulbenkian

Registration is free but limited to the number of seats available. Please send an email with a short CV to by 24.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.

Lumiar Cité

Rua Tomás del Negro, 8A
1750-105 Lisboa, Portugal
Wednesday to Sunday, 15h00 to 19h00
or by appointment.
Tel: + 351 21 755 15 70

Loretta Fahrenholz
Circle Navel Nil
24.04. – 27.06.2021

24.06 | 18h00 Online conversation with Sabeth

Buchmann, Loretta Fahrenholz and Jürgen Bock


Anna Schachinger
08.10. – 11.12.2022

07.10 | 18h00 Circulating Salt, Ayami Awazuhara
08.10 | 16h00 Opening of the exhibition


Willem Oorebeek
17.12.2022 – 19.03.2023

Closed 24, 25, 31 December and 1 January

17.12 | 17h00 Talk with Willem Oorebeek,

Arne Kaiser and Jürgen Bock

17.12 | 18h00 Opening of the exhibition

In cooperation with Lumiar Cité:

Tiffany Chung
Thu Thiêm: an archaeological
project for future remembrance
08.06. - 08.09.2019

Johann Jacobs Museum

Maumaus/Lumiar Cité
is funded by Ministério da Cultura/Direção-Geral das Artes. With the support of Câmara Municipal de Lisboa and Junta de Freguesia do Lumiar

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