Past exhibition at Lumiar Cité:

The Model

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As a noun ’model’ is a representation in the sense in which an architect constructs a small- scale model of a building or physicist a large-scale model of an atom. As an adjective ’model’ implies a degree of perfection or idealisation, as in reference to a model home, or a model husband. As a verb ’to model’ means to demonstrate, to reveal, to show what a thing is like.
Starting with an empty gallery-space, Joen P. Vedel makes it clear that he has no plan with his ‘model’. Instead he will try to engage experientially with the site, being both the gallery-space and the context of Alta de Lisboa, and from there, develop the work at the same time as he becomes more familiar with the complexities that surround it. In doing so, Joen P. Vedel will be present in or around the gallery-space during the opening hours, and each day, starting at 15 o’clock, he will take walks in the neighbourhood. These walks are meant to give him (and others) a ‘sense of the place’. The ‘sense of a place’ does indeed emerge from the senses, and even if one’s history in a place is short, a place can still be felt as an extension of the body, especially the walking body, passing through and becoming part of the landscape. The walks can take different shapes and aims; from aimless drifting, to mapping and specific missions. Everyone is welcome and suggestions and ideas for walks are very appreciated. During these walks one will naturally be collecting stuff; materials such as scrap wood, stone, pieces of metal or plastic, cardboard etc. but also images and stories that are being told. All of these things will then later be used, gradually and according to necessity, for the construction of ‘the model’ in the gallery-space, in which all residents of Alta de Lisboa and guests are more than welcome to join.
Joen P. Vedel’s conception of urbanism is first and foremost a dynamic one. Nothing is fixed and finished, everything is in flux and up for negotiation. In Joen P. Vedel’s ‘model’ the outcome is not known; instead it has become a search in itself. In this model it is the politics of process that reigns, where the only certainty is doing what feels right at the right time and in the right place – it is a politics that doesn’t wait or anticipate but acts in the moment, not to create something in the future but to build in the present, it’s the politics of the ‘here and now’. In this model the end is not as important as the means, and by putting context in front of ideology, by rejecting purity and perfection, it is in fact, turning it’s back to the future. The hope therefore lies in its unfinishedness, it’s openness to improvisation and participation.
In Joen P. Vedel’s ‘model’, the inspiration of the utopias of the 60’s is clear, and a reference point, which is crucial to his work, is the Situationist and their ideas related to urbanism, often exemplified by the concept of the ‘dérive’. “Dérive” means drifting, explains Guy Debord, “a mode of experimental behaviour linked to the conditions of urban society: a passage through varied ambiences”. But perhaps the most extraordinary image in these dreams is conveyed by the drifting cities of “New Babylon”, elaborated in the form of scale-models by the architect Constant: An infinite proliferation of experimental constructions shaking across the European landscape, forever unfinished, offered to playful appropriation by their inhabitants who could also simply leave them behind, to lose themselves in the surrounding nature – while beneath the ground, in subterranean galleries, all the production necessary for existence was carried out by robots. In New Babylon, Constant wanted every aspect of the environment to be controlled and reconfigured spontaneously, here social life should become architectural play and architecture a flickering display of interacting desires.
A strong belief in involving ‘play’ in the urban planning process was important in the 60’s, as a way to empower people using their creative skills. The title, “O Modelo”, is also a reference to an exhibition which took place at the Modern Museum in Stockholm in October 1968, called “The Model: a Model for a Qualitative Society”, by the Danish artist Palle Nielsen. Here, more than 33.000 kids came and played and continued the construction of a huge adventure playground. Two weeks after it’s opening, the Swedish fire authorities closed the playground/exhibition down, due to their fire-regulations.
In “O Modelo”, Joen P. Vedel will develop a structure during the exhibition period using the idea of ‘non-plan - an urban planning strategy first developed as an experimental community based planning concept by Cedric Price and Reyner Banham in the 60’s. They asked: “How can buildings better reflect the needs of their inhabitants?” By bringing up this question 50 years after it was posed, Joen P. Vedel points to a lack of involvement of the people in the design of their environment today and modernism’s failed attempts to bring this about. Modernism had promised a functionalist approach to resolving the architectural needs of the twentieth-century, yet the design of cities and buildings often appears to confound the needs of those who use them – their design and layout being highly regulated by restrictive legislation, planning controls and bureaucracy. Attempts to circumvent this bureaucracy and architectural inertia have ranged from free-market enterprise zones, to self-build housing, and from squatting to sophisticated technologies of pre-fabrication. Still today, we live in a society in which, in every field, one group of people makes decisions, exercises control, limits choices, while the great majority have to accept these decisions, submit to this control and act within the limits of these externally imposed choices. And nowhere is this more evident than in the field of housing. We live in a time where “man”, as Habraken has said, “no longer houses himself, he is housed”.
What we have today represents a whole cumulation of good intentions. And what those good intentions are worth, we have almost no idea of knowing. Planning, it seems, is the only branch of knowledge purporting to be a science which regards a plan as being fulfilled when it is merely completed; there’s seldom any sort of check on whether the plan actually does what it was meant to do, and whether, if it does something different, this is for the better or the for the worse. The architect with his ‘models’, has been most deeply enmeshed throughout history in the production and pursuit of spatial ideals and utopias. The architect is supposed to shape spaces so as to give them social utility as well as human and aesthetic/symbolic meanings. But what if we, as the Marxist geographer David Harvey also has pointed out, see ourselves as architects of a sort, architects of our own fates and fortunes, as we go about our daily practices and through them effectively preserve, construct, and re-construct our life-world. That, as Joen P. Vedel wants to suggest, could point towards new contemporary utopias...
In addition to the work in and around the gallery-space, Joen P. Vedel will create an online blog, which will operate as a diary, a place to upload images and share impressions from every day. Also there will be a series of event taking place in the gallery; talks by urban planners, architects, squatters, residents and films - all related to the themes of urban planning and housing. Please take part and enjoy!


Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal
Monday to Friday, 10h00 to 13h00,
14h30 to 19h00

Tel: + 351 21 352 11 55


Independent Study Programme
Call 2024
Until 03.09.2023


Manthia Diawara
Angela Davis: A World of Greater Freedom
Centro Cultural de Belém, Lisbon
30.09.2023, 19h00

Commissioned by Serpentine, MUBI and PCAI Polygreen Culture & Art Initiative, as part of Serpentine's Back to Earth project.


Book Launch
Alberto Toscano
Late Fascism: Race, Capitalism
and the Politics of Crisis (2023)

with Ruth Wilson Gilmore
and Alberto Toscano

11.06.2024, 19h00


Avenida António Augusto de Aguiar, 148 - 3º C
1050-021 Lisboa, Portugal

The discussion will be in English.
Entry is free and limited to the number
of seats available.


Encounters between art and philosophy

Seminar 4
Turbid Media

with Esther Leslie

Calouste Gulbenkian Foundation
Sala 3, Zona de Congressos
19.–21.06.2024, 11h–13h,14h–17h

Programme 5
True or false

Salam Cinema (1995)
by Mohsen Makhmalbaf
with Esther Leslie and Jihan El Tahri

with Esther Leslie and Jihan El Tahri

Calouste Gulbenkian Foundation
Auditorium 2
09.05.2024, 18h30


Programme 4

Calouste Gulbenkian Foundation

Programme 2:
(de)framing the frame

Meeting the Man:
James Baldwin in Paris (1970)
by Terence Dixon

with Sarah Lewis-Cappellari
and Kerstin Stakemeier

Calouste Gulbenkian Foundation, Auditorium 2
23.11.2023, 18h30

Programme 1:
space, place and memory

with Billy Woodberry
and Ruth Wilson Gilmore

Calouste Gulbenkian Foundation, Auditorium 3
13.10.2023, 18h30

Manthia Diawara
Angela Davis: A World of Greater Freedom
Sharjah Biennial 15
07.02. – 11.06.2023

Manthia Diawara
A Letter from Yene
Batalha Centro de Cinema, Porto


Amanda Boetzkes
Realism Without Authority
01.04, 04.04.2022
10h–13h, 14h–17h

Fundação Calouste Gulbenkian

Registration is free but limited to the number of seats available. Please send an email with a short CV to by 24.03.2022. Confirmation of registration will be sent by email. The seminar will be in English.

Lumiar Cité

Rua Tomás del Negro, 8A
1750-105 Lisboa, Portugal
Wednesday to Sunday, 15h00 to 19h00
or by appointment.
Tel: + 351 21 755 15 70

Loretta Fahrenholz
Circle Navel Nil
24.04. – 27.06.2021

24.06 | 18h00 Online conversation with Sabeth

Buchmann, Loretta Fahrenholz and Jürgen Bock


Dozie Kanu
20.01. – 14.04.2024

20.01 | 16h00 Opening of the exhibition

16.03 | 17h00 Talk between Dozie Kanu

and Simon Thompson


Sid Iandovka & Anya Tsyrlina with Leslie Thornton & Thomas Zummer

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

A combined exhibition between
Lumiar Cité and Kunsthalle Friart Fribourg.

Lumiar Cité
27.04. – 28.07.2024

Kunsthalle Friart Fribourg
18.05. – 28.07.2024

27.04. – 28.07.2024 | Lumiar Cité

18.05. – 28.07.2024 | Kunsthalle Friart Fribourg

A co-production by Lumiar Cité
and Artium Museum

14.10 | 17h00 Book launch with talk between

Alejandro Cesarco and
Miguel Wandschneider

| 18h00 Opening of the exhibition


Artium Museum, Vitoria-Gasteiz
24.03. – 24.09.2023


Lumiar Cité
14.10.2023 – 14.01.2024


The Educational Web
Kunstverein in Hamburg
01.04. – 06.08.2023

Closed 24, 25, 31 December and 1 January

Arne Kaiser and Jürgen Bock

In cooperation with Lumiar Cité:

Tiffany Chung
Thu Thiêm: an archaeological
project for future remembrance
08.06. - 08.09.2019

Johann Jacobs Museum

In co-production with Lumiar Cité:

Alejandro Cesarco
Other Recent Examples
24.03. - 24.09.2023

Artium Museum

The Educational Web
31.03. - 06.08.2023

Kunstverein in Hamburg

Maumaus/Lumiar Cité is funded by República Portuguesa – Cultura/Direção-Geral das Artes. With the support of Câmara Municipal de Lisboa and Junta de Freguesia do Lumiar.

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